My dad got me into Brubeck when I was in high school (though it might have had something to do with those Infiniti commercials in the 90’s), and I often listen to him while I’m working. It seemed fitting to put him on while getting a little deeper into the Alessi percolator and bag of Zeke’s coffee. Paul Desmond’s clarinet and alto sax lines go so well with the stroke of a brush. I have found that listening to music while painting helps me stay patient and not overwork areas while they are still wet, which is something I did with the birdhouse over the weekend.
After preliminary composition sketches last week, I wanted to try a basic view of the objects themselves to get a better handle on the shapes and reflections. I worked on a square block of arches, so I went with a vignetted centered composition for now. We’ll see if it should be developed further beyond this sketch. Below are staged photos of progress.
It was interesting to note how the blue changes color in the reflection, taking on some of the aluminum’s color as well, thus muting it a bit. I also liked the raw sienna reflection of the table top outside of the composition infiltrating the picture. Maybe it is all a bit too blotchy and exaggerated to be a finished work, but for tonight, I am pretty satisfied with what I got out of this more in depth sketch.
Thanks for reading.
Stage 1–Drawing and first wash:
Stage 3–Finished sketch: