It must be the unseasonably warm winter weather that got me thinking about summer and prompted me to work up this small study of a father and son canoeing on the Potomac.
My parents were very generous in gifting me the small set of Schmincke watercolors shown below and some Da Vinci Maestro travel brushes, which are phenomenal.
I love the Schmincke paints and the smart color selection in the kit. Because there was some space, I added some titanium white, cerulean blue (which granulates nicely with yellow ochre), brown madder to work up a great range of greys with Prussian blue, and indigo. I intend to use this kit for small quick color and value studies. The colors the set came with are very efficient and allow for good range and good tonal painting with some pop. This is what the set came with:
For the painting above I used yellow ochre, sepia, permanent green olive, and Prussian blue, with accents of white and cadmium red light.
I have been watching Tom Keating on Painters on YouTube–someone recently posted season 2, which focuses on the Impressionists. This got me rethinking my painting approach a little, or maybe confirmed the direction I have been going in. Hopefully my own style is developing. More to come on this.
Thanks for reading.
I was toning some paper grey to get ready to paint a still life when I had a sudden reminder of Hiroshi Sugimoto’s sea scapes and thought I might see what came of laying down a darker wash on the bottom half. It’s interesting how the wash reaolves itself into subtleties of light and dark and the hunts of the mixed colors filter through. I can probably make the “sea” darker. Thought I’d post the experiment as is just for fun. Colors are Prussian blue, Perylene maroon, and nickel azo yellow.
I had a pentalic 3×5 watercolor sketchbook laying around and decided to try a quick sunset study in it. I realized smudging with my fingers doesn’t work so well when the paper has texture. Much better in my Stillman and Birn gamma sketchbook, which is what I used for the earlier Constable study.
I like Constable’s watercolor studies. I copied this one of Londpn off in the distance mostly because the sky was interesting. I let my brush dry out as I swiped to capture the energy in the clouds. These quick 4×6 studies are a lot of fun.
Another experiment, this time trying to capture the impression of tall grasses against a backdrop of trees. I’ve seen a lot of pastel works in this fashion and thought I’d give it a try.