…If I were asked to name the chief benefit of the house, I should say: the house shelters daydreaming, the house protects the daydreamer, the house allows one to dream in place. Thought and experience are not the only things that sanction human values. The values belonging to daydreaming mark humanity to its depths. Daydreaming even has a privilege of autovalorization. It derives direct pleasure from its own being. Therefore the places in which we have experienced daydreaming reconstitute themselves in a new daydream, and it is because our memories of former dwelling-places are relived as daydreams that these dwelling-places of the past remain in us for all time.
Now my aim is clear. I must show that the house is one of the greatest powers of integration for the thoughts, memories, and dreams of mankind…
From The Poetics of Space, by Gaston Bachelard
I am slowly reading Gaston Bachelard’s work “The Poetics of Space,” a philosophical exploration of home. The role that our spaces play in our lives has been an interest of mine for a long time, perhaps as far back as the first paper I ever remember writing (I think it was in 7th grade) on Frank Lloyd Wright, and I am trying to more deliberately bring this interest (and all my other interests) into sharper focus. The quote above so perfectly captures the importance of home, of the role it plays in humanity, that I couldn’t help but giving a silent Kerouac style “Yes!” while reading it.
One can find this safe place for dreaming in place elsewhere. What can be said about one’s home can extend to the places one frequents (though the home might be the strongest place), to one’s community, to one’s hometown. The coffee shop has become one of those places.
The challenge in painting any space for daydreaming is conveying it as such, giving it life, giving it a little mystery, the opportunity for meaning, or at least implication.
I’ve made some more progress in that direction with my painting this morning. I focused on the window, more or less finishing it off, and emphasizing the blown-out lighting. This helps convey the daydreaming feeling I think. I’ll bring that out further once I get to the facial expression. I’m really just experimenting with what I can do in painting. There are all sorts of tricks to borrow from cinema and photography, and I’ll try to get smarter about that over time. I also am trying this year to do paintings that feel more finished (not polished, though), have more texture and effect to them. I think the three I’ve finished so far, and the two I’m working on now, fit that profile.
Thanks for reading.
Do I see Hopper? I definitely see a painting I would want to see often. Fine. Really fine.